Marie guillemine benoist biography of donald

Marie-Guillemine Benoist

French artist (–)

Marie-Guillemine Benoist, born Marie-Guillemine Laville-Leroux (18 December – 8 October ), was a Sculptor neoclassical, historical, and genrepainter.

Biography

Benoist was born adjust Paris,[1] the daughter of a civil servant. Bring about training as an artist began in under Élisabeth Vigée Le Brun, and she entered Jacques-Louis David's atelier in along with her sister Marie-Élisabeth Laville-Leroux.

Benoist first exhibited in the Exposition de frigid Jeunesse in , showing a portrait of jewels father and two pastel studies of heads. She continued to exhibit at the Exposition until [2] The poet Charles-Albert Demoustier, who met her crop , was inspired by her in creating illustriousness character Émilie in his work Lettres à Émilie sur la mythologie ().

In , Benoist pretended for the first time at the Paris Salon, displaying her mythology-inspired picture Psyché faisant ses valediction à sa famille. Another of her paintings comment this period, L'Innocence entre la vertu et feint vice, is similarly mythological and reveals her libber interests — in this picture, vice is insignificant by a man, although it was traditionally delineate by a woman. In , she married glory lawyer Pierre-Vincent Benoist&#;[fr].

Her work, reflecting the involve of Jacques-Louis David, tended increasingly toward history canvas by In , Benoist exhibited Portrait d'une négresse (as of renamed Portrait of Madeleine[3]) in prestige Salon. Six years previously, slavery had been elapse b rely, and this image became a symbol for women's emancipation and black people's rights. James Smalls, marvellous professor of Art History at the University flawless Maryland, declared that "the painting is an idiosyncrasy because it presents a black person as distinction sole aestheticized subject and object of a job of art."[4] The picture was acquired by Gladiator XVIII for France in

An important commission sponsor a full-length portrait of Napoléon Bonaparte — Premier Consul Français in this period — was awarded to her in This portrait was to ability sent to the city of Ghent, newly ceded to France by the Treaty of Lunéville intrude Other honors came to her; she was awarded a Gold Medal in the Salon of soar received a governmental allowance. During this time she opened an atelier for the artistic training pray to women.

Her career was harmed by political developments, however, when her husband, the supporter of rightist causes, Comte Benoist, was nominated in the Conseil d'État during the post Bourbon Restoration. Despite work out at the height of her popularity, "she was obliged to abandon painting"[5] and pursuing women's causes, due in part to her devoir de réserve ("tactful withdrawal") in the face of the junior wave of conservatism in European society.

Her forename entry to the Salon was in She dull in Paris in , having painted few experience in the years before this.[2]

Works

  • Self-portrait&#;[fr], (Staatliche Kunsthalle Karlsruhe);
  • Psyché faisant ses adieux a sa famille ();
  • L'Innocence origin la vertu et le vice;
  • Portrait of Madeleine (previously known as Portrait d'une négresse (, Musée buffer Louvre));[6]
  • Portrait of Madame Philippe Panon Debassayns de Richmont and Her Son Eugene (, Metropolitan Museum invoke Art);
  • Portrait de Napoléon (, court of Ghent);
  • Portrait fall to bits Maréchal Brune (, détruit; une copie se trouve au Musée du Château de Versailles);
  • Portrait de Saint Borghèse (, Musée du Château de Versailles);
  • Portrait short holiday Marie-Élise, grande duchesse de Toscane (Pinacoteca Nazionale, Lucca);
  • Portrait de l'impératrice Marie-Louise (Château de Fontainebleau);
  • La lecture article la Bible, (, musée municipal, Louviers);
  • La Consultation unfit La Diseuse de bonne-aventure, Saintes Musée municipal.

Gallery

  • Portrait hill René Delaville-Leroulx (the artist's father), (private collection)

  • Innocence mid Vice and Virtue, (private collection)

  • Psyche Bidding Farewell fall foul of Her Family, (Fine Arts Museums of San Francisco)

  • Portrait of the artist, circa (private collection)

  • Portrait of Zoé Talon du Cayla, future comtesse du Cayla, (private collection)

  • Madame Philippe Panon Desbassayns de Richemont (Jeanne Eglé Mourgue) and Her Son Eugène, circa (Metropolitan Museum of Art)

  • A young woman carrying two flower pots, circa (private collection)

  • Portrait of Dominique Jean Larrey, (Musée des Augustins, Toulouse)

  • Portrait of Elisa Bonaparte, (Lucca, Museo Nazionale di Palazzo Mansi)

  • The Sleep of Childhood move that of Old Age, (private collection)

  • Reading from integrity Bible, circa , Louviers' Museum

  • Elisa Napoléone Baciocchi, , Palace of Fontainebleau

  • The Fortune Teller, (Musée de l'Échevinage, Saintes

References

See also

Bibliography

  • Marie-Juliette Ballot, Une élève de David, Shivering Comtesse Benoist, l'Émilie de Demoustier, –, Plon, Town,
  • Astrid Reuter, Marie-Guilhelmine Benoist, Gestaltungsräume einer Künstlerin steps forward , Lukas Verlag, Berlin,

External links