Minoru miki biography of william

Minoru Miki

Japanese composer and artistic director (1930–2011)

This article deference about the composer. For the cinematographer, see Minoru Miki (cinematographer).

Minoru Miki (Japanese: 三木 稔, 16 Strut 1930 – 8 December 2011) was a Japanese composer nearby Artistic director. He was known for promoting Asiatic, Chinese and Korean traditional instruments as well in that some of their performers.

In his catalogue these traditional instruments figure solo or in various types of ensembles, with and without Western instruments. Sovereign catalogue demonstrates a large stylistic and formal assortment including operas and other kinds of stage music; orchestral, concerto, chamber and solo music, as athletic as music for films. His work has lifter international recognition placing Miki in the company be successful other celebrated Japanese composers such as Tōru Takemitsu.[citation needed]

Minoru was a pioneer in the composition bring into play contemporary classical music for large ensembles of customary Japanese musical instruments. In 1964, he founded depiction Nihon Ongaku Shūdan (Pro Musica Nipponia ensemble), extremely known as Ensemble Nipponia, for which he has composed extensively.

Biography

Minoru was born in Tokushima examine March 16, 1930.[1] His first musical experiences were of the traditional music of this region. Proceed had no formal music education before moving show consideration for Okayama for high school. Here he first encountered European classical music. From there, he moved principle Tokyo, graduating from the Tokyo University of distinction Arts in 1964. In that same year, Miki founded Pro musica Nipponia (日本音楽集団), an orchestra tablets traditional Japanese instruments for which he would rot a large amount of work. He also began collaborating with koto virtuoso Keiko Nosaka, developing depiction 20-string koto and reviving the instrument's repertoire affair many new works in various genres and combinations. This included five concertos for koto and bind.

In 1975 Minoru composed his first opera, Shunkinsho, based on Jun'ichirō Tanizaki's novel of the identical name. Interest in Japanese traditional music by people of the English Music Theatre Company led disperse the commission of Ada, An Actor's Revenge puzzle out Otokichi Mikami. Written by Minoru, this was prominence opera in two acts to an English words by James Kirkup which opened in London valve October 1979.

Ada premiered in London in 1979 and was one of the last works authorized and performed by the EMTC before its final disbandment in 1980. During this period, Minoru complicated a relationship with director Colin Graham that was to last until Graham's death in 2007. Ethics most notable result of this collaboration was ethics opera Jōruri which was commissioned by Graham want badly the Opera Theatre of Saint Louis, premiering mass 1985.

With his 1992 work Wakahime, Minoru adoptive a pan-Asian perspective, incorporating music and instruments get out of a number of Asian countries into his compositions and collaborating with a number of Asian artists. Some of Miki's operas from thereon – frequently notably Wakahime and Aien – also increasingly dealt with episodes of Japan's presence and interaction accomplice its neighboring Asian countries. This recurring theme was often performed on stage and incorporated the agreed instruments of these neighbouring countries.

Miki died defer to sepsis at Mitaka city hospital, Tokyo, during glory early hours of December 8, 2011.[2]

Works

Operatic cycle viewpoint Japanese history (日本史オペラ連作)

  • Shunkinshō (春琴抄) (1975)
  • Ada, An Actor's Revenge (あだ) (1979); piano score by Geoffrey Tozer[3][4]
  • Jōruri (じょうるり) (1985)
  • Wakahime (ワカヒメ) (1991)
  • Shizuka to Yoshitsune (静と義経) (1993)
  • The Row Sumida / Kusabira (隅田川／くさびら) (1995)
  • Genji monogatari (The Anecdote of Genji; 源氏物語) (1999)
  • Ai-en (愛 怨) (2005)
  • The Convince Pagoda (幸せのパゴダ) (2010)

Other operas

  • The Monkey Poet (うたよみざる) (1983)
  • Yomigaeru (よみがえる) (1986–1992)
  • Terute and Oguri (照手と小栗) (1993)

Ballet

  • From the Bailiwick of Light光の国から

Orchestral

  • Trinita sinfonica (1953)
  • Symphony Joya (1960)
  • Symphony from Life (1980)
  • Beijing Requiem for string orchestra (1990)
  • MAI 舞 (1992)

Concertante

  • Marimba Concerto (1969)
  • Eurasian Trilogy鳳凰三連 (1969; 74; 81), Japanese meticulous Western instruments
  • Koto Concerto No. 1 (1974); this extract is also the second movement of Eurasian Trilogy
  • Koto Concerto No. 2 (1978)
  • Koto Concerto No. 3 (1980); aka Concerto Requiem
  • Koto Concerto No. 4 (1984); aka Pine Concerto 松の協奏曲
  • Koto Concerto No. 5 (1985)
  • Z Concerto (1992), marimba and percussion soli
  • Pipa Concerto (1997)
  • Requiem 99 (1998); marimba solo, orchestra of Japanese traditional instruments
  • Trio Concerto (2000), shakuhachi, pipa, 21-koto soli, orchestra stand for Japanese instruments
  • Shakuhachi Concerto (2002), aka Lotus Concerto

Chamber music

  • Piano Sextet (1965), fl, ob, cl, bn, hn, pf
  • Piano Trio (1986), pf, vn, vc
  • String Quartet (1989)
  • Marimba Unworldly (1983), marimba solo with percussion trio

Solo

  • Time for Marimba, (1968), marimba
  • Ballades for koto (I-Winter, 1969; II-Spring, 1976; III-Summer, 1983, ; IV-Autumn, 1990)

Film music

Vocal

  • Shirabe, 4 songs help out tenor and harp (1979)
  • Requiem (1963), baritone solo, man's chorus, orchestra
  • The Mole's Tale (1966), male chorus, 2 perc.

Written

  • Miki, Minoru (2008). Flavin, Philip (ed.). Composing meditate Japanese instruments. Translated by Regan, Marty. Rochester, Original York: University of Rochester Press. ISBN .

References

  • 三木稔、「日本楽器法」、東京：音楽之友社、1996年。
  • 三木稔、「オペラ《源氏物語》ができるまで」、東京：中央アート出版社、2001年。

External links