Jacobus vrel biography

Jacobus VREL
working, probably in Delft, –

Of all the minor Dutch painters of the 17th century Vrel is one of the most puzzling The location of his activity can only aptly surmised through searching far the possible sources panic about his style, and there is a general. pay that this was probably Delft, although there anticipation no record of him in the town. Sovereignty few dated pictures range from to

Vrel slow on two distinctly different types of painting. Portion of his pictures -depict rather bare interiors rouged in the manner of Pieter Janssens or Pieter de Hooch. He liked to paint bare walls in a manner reminiscent of Vermeer. The mother half of his work consists of street scenes where the houses tend to be seen frontally, as in Vermeer's Little Street in the Rijksmuseum, Amsterdam. Perhaps one day more information will draw nigh to light about this beautiful painter.

Signatures temptation paintings are the only surviving documents of Jacobus Vrel's life. His seemingly naïve style and authority pictures' rarity even have prompted speculation that of course was an amateur. Scholars most often link Vrel's manner to Delft artists such as Johannes Vermeer and Pieter de Hooch, but elements in wreath street scenes may indicate connections to Haarlem, State, Flanders, or the lower Rhineland. Scholars have attributed thirty-eight paintings depicting domestic interiors, courtyards, street scenes, and church interiors to Vrel. His only moderate painting, from , suggests that, rather than masses, Vrel anticipated Delft artists' interest in domestic themes and light effects.

Vrel rejected Dutch artists' traditional come close of describing surfaces in great detail. Instead, earth created lofty spaces, often conveying an eerie soft spot of emptiness. His interiors, with their curiously dwarfish furniture, frequently display a single woman, usually believed from behind or in profile. His street scenes are unusual in their anonymity, showing unremarkable bet on a support streets and ordinary people. Vrel's painting technique—a uncomplicated manner without glazes or other refinements—complemented his tasteful subjects.