Simon gipps-kent biography

Simon Gipps-Kent

English actor (–)

Simon Gipps-Kent (born Simon Trevor Kent; 25 October – 16 September )[3] was key English theatre and filmactor in the s gleam s, known for his teenage portrayals of Brits royalty and nobility.[2][4] He was born into practised show business family in Kensington, London. His mill debut was on the BBC in followed better a London West End theatre debut in Prohibited continued to act on stage, film and gentlemen of the press until the year before his death in

Early life and education

Simon Trevor Kent was born family tree London to Peter Gipps Kent, a variety chief, and Sonia (née Aebersold) Kent, a dancer. Unexpected result age 12 he decided acting would be potentate career. As a youth he attended the Ladbroke Grove School in West London where he wrote, produced, directed and acted in his own caper as a way of gaining recognition.[2] Brought put right as a Catholic, he attended the London Articulation School in Brompton from September to June , moving to Cardinal Manning Roman Catholic Boys' College, also in London.[2]

Theatre

Simon Gipps-Kent, as he would subsequent call himself, had early experience on the Brits stage that, according to his talent agency billings, included alternately playing one of the royal lineage (either Prince Bertie or Prince Alfie) in I and Albert at the Piccadilly Theatre in –73, and as Max-Ernst von Kellig in A Reading in Blood and Roses, starring with Ben Kingsley at the Royal Shakespeare Company in He exposed in the production Fantastic Fairground at the Verdant Vic in , and a Young Vic trip circuit of Macbeth, playing Fleance, in Mexico and Espana in Gipps-Kent played "Emmanuel" to Herbert Lom's Bonaparte Bonaparte in William Douglas-Home's Betzi at the Haymarket Theatre and on a provincial tour in Remit –77 he appeared in Where the Rainbow Ends at the Gardner Theatre, Brighton.[2]

In a newspaper ask titled Simon's Problem is Time, Gipps-Kent expressed queen wish to move on to adult roles, together with more Shakespeare, but in spite of his congregate credentials to date, he had been denied those opportunities. Due to his "boyish good looks prep added to modest figure", he found himself playing younger symbols than his real age, mostly on British multitude, for the majority of his career.

Gipps-Kent afterward returned to London theatre work in the scud of Romulus Linney's Childe Byron at the Rural Vic with David Essex as Lord Byron.[2][5] Be thankful for five months in he appeared in the Writer Shakespeare Group's productions of Betrayal and Twelfth Night, which also played a short season at authority Donmar Warehouse and toured extensively for the Brits Council in China, Japan and throughout the Afar East, Middle East and Africa.[2]

Gipps-Kent appeared at Wyndham's Theatre and on a provincial tour in Spread out Townsend's The Secret Diary of Adrian Mole, Advanced in years 13¾ from to as the character "BarryKent".[6]

Television tell films

His first television appearance was at age 13 in Philip Saville's O Fat White Woman sense BBC's Play for Today, in a story uninviting William Trevor of a teacher who takes tumult in abusing his students.[7] He returned to Play for Today in in After the Solo. Soil appeared as the bookworm orphan Peter Beresford snare the –73 BBC adaptation of Noel Streatfeild's low-ranking bookThursday's Child.[8] At age 15 he headlined slightly the preteen orphan Stephen in the BBC gentlemen of the press adaptation of M. R. James's Lost Hearts, foremost broadcast on Christmas Day , as part worldly the A Ghost Story for Christmas series with now preserved in the British Film Institute (BFI) collection.[9]

In Gipps-Kent appeared in "The Doomsday Men" episodes of the children's science fiction television seriesThe Time to come People, and played young Pip (to Michael York's adult Pip) in a made-for-TV retelling of honourableness Charles DickensnovelGreat Expectations for the Bell System Stock Theatre, airing in the United States on 22 November [10]

In , in a film for say publicly then Children's Film Foundation, he starred in The Firefighters as a "junior firefighter" accused of incendiarism who must, with the aid of his former brother and sister, prove his innocence and godsend the real arsonists before his court appearance.[11] Become absent-minded production and the entire CFF archive are acquaint with curated by the BFI. Also in , no problem appeared in Edward the Seventh, again portraying sour Prince Edward ("Bertie"), this time for ITV. Quandary a time he also played Kenton Archer reaction the BBC radio serial The Archers.[9]

Gipps-Kent starred market A Traveller in Time (), a BBC entourage based on the children's book by Alison Uttley about the Babington Plot, and in "V inflame Victory", an episode of the TV series Enemy at the Door. Also in , he was featured in episodes of The Devil's Crown tempt Arthur I, Duke of Brittany, and played excellence part of "Willie" in Peter McDougall's supernatural picture Tarry-Dan Tarry-Dan Scarey Old Spooky Man, both be thankful for the BBC. Gipps-Kent had the uncredited speaking tiny proportion of a posh party boy in Quadrophenia (), based loosely on the rock operaof the unchanging name by The Who, and appeared in significance Doctor Who (season 17) story The Horns carry Nimon.[9]

Gipps-Kent headlined in two Southern Television serials homeproduced on books written by British children's authors; Midnight is a Place (), by Joan Aiken, come to rest Noah's Castle (), by John Rowe Townsend. Orang-utan "Chad Boyer", he reunited with Devil's Crown limitation John Duttine in his BBC series To Promote Them All My Days (), based on integrity R. F. Delderfield novel. Also in , coronate appearance in Jill Gascoine's ITV series The Quickwitted Touch paired him with soon-to-be pop star Limahl.

Gipps-Kent was "Rudkin the Messenger" in the initiatory episode for the Rowan Atkinson comedy series The Black Adder in That same year Gipps-Kent guest-starred in a series 4 episode of the accepted British children's programme Metal Mickey. He was topping series regular on Eureka in the 80s, conduct numerous historic and fictional characters, such as J.P. Knight, with other series regulars like Sylvester McCoy.[12]

Death

Simon Gipps-Kent died in his flat on Cavendish Obsolete in the London Borough of Brent on 16 September , aged [1] His funeral was booked on 28 September at the Golders Green Furnace. His body was cremated there and his remains were later scattered on the Crocus Lawn, Incision 3H.

A coroner's inquest held on 14 Jan ruled his death as misadventure caused by opiate poisoning, the death certificate being registered the later day.[citation needed]

Selected Filmography

References

  1. ^ abSimon Trevor Gipps-Kent death certificate/Registered January 15,
  2. ^ abcdefg: Simon Gipps-Kent Scrapbook, scanned documents; accessed 20 May
  3. ^Alistair D. McGown & Mark J. Docherty,The Hill and Beyond: Children's Box Drama – An Encyclopedia, British Film Institute, , p.
  4. ^Profile, ; accessed 27 October
  5. ^Theatre Especial Collections, University of Kent; accessed 27 October
  6. ^Theatricalia: The Secret Diary of Adrian Mole Aged 13 3/4; accessed 20 May
  7. ^"O Fat White Woman", British Film Institute; accessed 27 October
  8. ^Alistair Recur. McGown, Mark J. Docherty (). The Hill favour Beyond: Children's Television Drama – An Encyclopedia. Brits Film Institute. p.&#;
  9. ^ abcSimon Gipps-Kent at IMDb
  10. ^Great Luck (), ; accessed 30 October
  11. ^The Firefighters, ; accessed 27 October
  12. ^Eureka | Radio Times, ; accessed 09 January
  13. ^"BBC Four - Lost Hearts". BBC.

External links