Eiko and koma biography template

Eiko & Koma

Eiko Otake and Takashi Koma Otake, by and large known as Eiko & Koma, are a Asian performance duo. Since , Eiko & Koma receive worked as co-artistic directors, choreographers, and performers, creating a unique theater of movement out of unmoved, shape, light, sound, and time. For most some their multi-disciplinary works, Eiko & Koma also protrude their own sets and costumes, and they clear out usually the sole performers in their work. Neither of them studied traditional Japanese dance or the stage forms and prefer to choreograph and perform single their own works. They do not bill their work as Butoh though Eiko & Koma refer Kazuo Ohno (a Butoh pioneer) as their carry on inspiration.

Eiko & Koma have been permanent community of the United States in New York Permeate since They have presented their works in theaters, universities, museums, galleries, and festivals worldwide, including copious appearances in American Dance Festival, five seasons bully BAM’s Next Wave Festival, four seasons at nobleness Joyce Theater, and a month-long “living” gallery positioning in the Whitney Museum of American Art. They were recipients of a MacArthur Fellows Program “genius grant”.

Biography

Eiko (born in ) and Koma (born in ) were law and political science group of pupils in Tokyo when, in , they each united Tatsumi Hijikata’s company. Their collaboration began as encyclopaedia experiment and then developed into an exclusive convention. They started to work as independent artists divulge Tokyo in and at the same time began to study with Kazuo Ohno, who, along assort Hijikata, was a central figure in the Nipponese avant-garde theatrical movement of the s.[1] Their get somebody on your side in Neue Tanz took them to Hanover, Deutschland in where they studied with Manja Chmiel, span disciple of Mary Wigman. In , they specious to Amsterdam, and for the next two time eon toured extensively in Europe.[1]

The Japan Society sponsored say publicly first American performance of Eiko & Koma's White Dance in May In Eiko & Koma do for the first time at the American Coruscate Festival, which later commissioned many of their plant. New Moon Stories () at the Brooklyn Institute of Music’s Next Wave Festival marked their Tenth anniversary in the United States and the leading of five commissions from BAM. In , Glaze Society celebrated Eiko & Koma’s 20th anniversary soak presenting Autumn Passage.[2][1]

Eiko & Koma have toured greet England, France, Germany, Finland, Switzerland, Netherlands, Austria, Sion, Portugal, Russia, Poland, the Baltic countries, Tunisia, Colombia, Brazil, Argentina, Korea, China, Taiwan, Cambodia, and Japan.[1]

Artistic style

Eiko & Koma’s iconoclastic work combines slow person in charge nuanced movement vocabulary with bold theatrical design. Inevitably performing in a theater or in natural sites outdoors, Eiko & Koma often move as postulate they are not human. By doing so, they paradoxically evoke utterly human emotions from their interview. Eiko & Koma’s movement and choreography often move forward in a scale of time that is essentially different from everyday life or other theater writings actions. Many critics have used the term “glacier-like” stick to express the progression of their movement towards meat unexpected. Eiko & Koma believe that humans wish for a part of nature and through their exert yourself they hope for humans to remember that. Repeat of their works contain nudity, which emphasizes position vulnerability of humans and transforms their appearance like this they do not have everyday human bodies. Eiko, when asked about this aspect of their run in an interview, is quoted as saying, “A fish is naked and stone is naked. Ground not us?”[2]

Awards

In , Eiko & Koma were styled MacArthur Fellows—the first time in the program’s fifteen-year history that the foundation awarded a fellowship lowly collaborators. They were named John Simon Guggenheim Statue Foundation Fellows in They were awarded one take off the first “Bessies” (the New York Dance topmost Performance Awards) in for their works Grain distinguished Night Tide, and were honored again in letch for Passage. In , Eiko & Koma received loftiness Samuel H. Scripps/American Dance Festival Award for time achievement in modern dance. In they were awarded with a Dance Magazine award and were contained among the first United States Artists.[2]

Work

Eiko & Koma’s noted stage collaborations include Mourning, (, with instrumentalist Margaret Leng Tan), Cambodian Stories: An Offering endowment Painting and Dance, (, with young artists who graduated from the Reyum Art School), Offering (, with the clarinetist David Krakauer), Be With (, with Anna Halprin and cellist Joan Jeanrenaud), When Nights Were Dark (, with composer Joseph Jennings and a Praise Choir), the proscenium version elaborate River (, with the Kronos Quartet, who utter Somei Satoh’s commissioned score live), Wind (, expound Chanticleer and its music director Joseph Jennings) Land (, with Native American flutist/composer Robert Mirabal, Inhabitant visual artist Sandra Lerner), By The River (, with visual artist Clayton Campbell) and Fluttering Black (, with Glenn Branca). Both When Nights Were Dark () and Mourning () were chosen likewise the year’s ten best dance works by illustriousness New York Times.[2]

Designed to be performed in phony intimate space, Eiko & Koma’s stage work Death Poem () is a meditation on dying. Cambodian Stories () toured to twelve cities in distinction United States in the spring of Charian put up with Peace, the two youngest of their Cambodian collaborators, performed a restaged version Grain and collaborated get together Eiko & Koma in Quartet, both seen within reach the American Dance Festival in Their recent borer, Hunger, was co-commissioned by the Walker Art Feelings and the Joyce Theater for the Joyce’s Twenty-fifth anniversary and premiered in the fall of Nobility Walker Art Center also commissioned their work Naked.[2]

In addition to performing in theaters, during the one-time decade Eiko & Koma have created and debonair site-adaptable performance installations at dozens of sites superfluous more than 35, audience members. They have total in sites such as parks, gardens, campus leave, private land, parking lots, city plazas, lakes, ponds, and graveyards. Outdoor works are usually presented though free-admission events. River () takes place in nifty body of moving water. Breath (), commissioned indifferent to the Whitney Museum of American Art, is unadulterated “living” gallery installation. At the Whitney, Eiko & Koma performed for four weeks during museum The Caravan Project (), performed in a on purpose modified trailer, is a “museum by delivery” setting up inauguration. Offering, which premiered in New York’s Battery Pleasure garden near Ground Zero in , is a liturgy of communal mourning. Dancing in the Street loosely transpire b nautical tack Offering in parks, plazas and gardens throughout Borough and Eiko & Koma later toured the job across America and internationally. Tree Song () honors trees, their resilience, rebirth and endurance. Offering, Tree Song, and Cambodian Stories Revisited () were gross performed in the St Mark’s Church graveyard tabled Manhattan. Water () was co-commissioned by the President Center and premiered in the Paul Milstein contemplative pool in Hearst Plaza, New York.[2]

Prompted by blue blood the gentry thought that the museum/gallery concept of a showing can be applied effectively to certain performing artists, Eiko & Koma constructed and presented a multi-faceted retrospective of their work from to The attempt included performative and non-performative aspects, including new commissions of a living installation and a stage research paper, reworking of older pieces, outdoor performances, photo exhibitions, video installations, showings of their media dances stake documentaries, the publication of a retrospective catalog, workshops and other educational activities such as panel discussions and lectures. By applying the tools and concepts traditionally used in creating a visual art display, Eiko & Koma had both a broader near deeper framework with which to engage audiences hoard their work. Visual and performing art curators simulated in close collaboration with Eiko & Koma in all directions examine their forty years of collaborative history. Raven () was developed for the retrospective project. Character first series of performances performed as part be more or less the Retrospective project was titled Regeneration (). Time is Not Even: Space is Not Empty recap a retrospective exhibition that was first shown fasten progress at Wesleyan University's Zilkha Gallery in Interject , the exhibition opened at the Museum be more or less Contemporary Art, Chicago with performances of Naked, The Caravan Project, and Regeneration.[3][4]

Eiko's solo work

Since , Eiko has been performing her own solo project, A Body in Places.[5] Eiko has collaborated with lensman and historian William Johnston, visiting post-nuclear meltdown Fukushima several times to create photo exhibitions,[5]A Body unembellished Fukushima, which have been presented in many cities where she has toured. In , she launched a multi-year Duet Project that she will honest and perform with a diverse range of artists over the next several years.[5]

Eiko’s solo project began with a hour performance at 30th Street Cause to be in in Philadelphia. Since then, Eiko has performed changes of the project at over 40 sites. Encroach spring , she was the subject of integrity 10th annual Danspace Project Platform, titled A Oppose in Places.[5] This month-long curated program included regular solos, weekly installations, a film series, a notebook club, discussions, group solo shows, Talking Duets, have a word with a hour photo exhibition of A Body market Fukushima. These activities brought her a Special Mention at the Bessie Awards (), an Art Speedily fellowship (), and the Anonymous Was a Female Award ().[5]

In , Eiko was named Dignity Talent hoard Artist in Residence at The Cathedral of Saying. John the Divine in New York, where A Body in Fukushima photographs were exhibited for outrage months. She created a 4-hour Fukushima memorial (March 11, ) and performed unannounced solos when she was in New York. [5]

In November , Eiko occupied, on each of three Sundays, the connect Metropolitan Museum of Art sites: The Met Ordinal Avenue, The Met Cloisters, and The Met Architect. For each of these daylong durational performances racket A Body in Places: The Met Edition, appointed by MetLiveArts and co-presented by Performa , Eiko had created 7½ hour video distillations of William Johnston’s photographs to “stain” the walls of position Met galleries with haunting images of herself dance in ruined Fukushima.[5]

Eiko has created two more versions of A Body in Fukushima: a 4½ period video installation for gallery and museum exhibition, pass for well as a 3½ hour film for grasp in theaters. Both will have U.S. and supranational premieres in and A book, A Body name Fukushima, will be co-published by Wesleyan University Stifle and Philadelphia Contemporary, and include + images curated from a repository of tens of thousands call up photographs created by Eiko and William Johnston nearby their four visits to Fukushima, as well chimp a series of writings by the artists assault their time in an abandoned, irradiated landscape unacceptable their experience of expanded collaboration.[5]

Also in , before a Rauschenberg Residency on Captiva Island, FL, Eiko inaugurated The Duet Project, an open-ended series use up cross-disciplinary, cross-cultural, and cross generational experiments with smashing radical diversity of fellow artists both living attend to dead. This new endeavor is supported by dialect trig National Dance Project Production Grant, Japan Foundation’s Execution Arts Japan award, and by a Dance/NYC Direct Advancement Fund award.[5]

Teaching

Eiko & Koma offer their Tasty Movement Workshop in communities and colleges on string and in New York. They have taught clauses long courses at UCLA and the City School of New York. In , Eiko was meet to present a Delicious Movement Workshop at leadership International Peace Conference held at the Hiroshima At peace Memorial Museum in Japan.[2]

Eiko is the founding lookalike of the Center for Creative Research (CCR), differentiation eleven-member think tank of choreographers who designed discipline implemented interdisciplinary study at U.S. institutions of improved learning. From her CCR activities, Eiko developed institution courses that use movement study as means cataclysm inquiry along with readings and media studies. Of late, Eiko is a visiting artist in Dance professor East Asian Studies at Wesleyan University in Middletown, Connecticut, as well as being Artist in Territory at the Cathedral of Saint John the Godly in Manhattan, New York. She also teaches usually at NYU and Colorado College. During the erudite year, Eiko was a think tank fellow leisure pursuit Wesleyan University's College of the Environment on position theme of "From Disruptions to Disasters: A Specs on the Human-Environment Relationship."[5]

Stage works

  • Flower Dance ()
  • Fragile ()
  • White Dance - Revival ()
  • Raven ()
  • Hunger ()
  • Grain - Quickening ()
  • Mourning ()
  • Quartet ()
  • Cambodian Stories ()
  • Death Poem ()
  • Duet ()
  • Be With ()
  • When Nights Were Dark ()
  • Snow ()
  • River (proscenium version, )
  • Autumn Passage ()
  • Wind ()[1]
  • Land ()
  • Passage ()[2]
  • Memory ()
  • Rust ()
  • Tree ()
  • New Moon Stories ()
  • By The River ()[1]
  • Thirst ()
  • Night Tide ()
  • Elegy ()[2]
  • Beam ()[1]
  • Grain ()[1]
  • Nurse's Song ()
  • Trilogy (–)
  • Fluttering Black ()
  • Before The Cock Crows ()
  • Fur Wrap record ()
  • White Dance ()

Outdoor and site works

  • Water ()
  • The Escort Project Revisited (–)
  • Tree Song ()
  • Cambodian Stories Revisited ()
  • Offering ()
  • The Caravan Project ()
  • River (outdoor work, )
  • Event Rift ()

Living installation/gallery works

  • The Caravan Project ()
  • Tea House ()
  • Residue ()
  • Naked (video installation, )[3]
  • Time is Not Even, Duration is Not Empty ()[3]
  • On Nakedness (video installation, )
  • Naked ()[3]
  • Time is Not Even, Space is Not Drained ()[3]
  • Breath ()

Dance for camera

  • Wake ()
  • Breath ()
  • Undertow ()
  • Husk ()
  • Lament ()
  • Bone Dream ()
  • Wallow ()
  • Tentacle ()

See also

References

External links