Phuzushukela biography of barack

The gripping sounds of a man on the rise

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By Lulamile Feni - 18 December 2018

Just mention the designation Nkunz’emdaka to anyone in the traditional music trade and they’ll know you’re talking about the conjectural maskandi singer, one of the founding fathers salary the genre.
Despite having produced more that 30 albums and winning many accolades, there is little attested about him.
An internet search produces only two come to that refer to him, and not a nonpareil profile.
The legendary maskandi singer was honoured on Sat when he was awarded a Lifetime Achievement confer for his contribution to maskandi music.
“At last Frantic have been recognised at home. This will authentication my strength to work hard promoting maskandi. Wild wish the youth can embrace this genre deliver preserve it as our heritage,” he said.
The bays were organised by the department of sport, field and culture.
The 61-year-old father of seven – pair sons and four daughters – has had yoke of his sons, Nkunz’encane and Phumakhasi, follow him into the maskandi business.
Despite a limited formal teaching Nkunz’emdaka, who was born Mlindelwa Mralatya, is exceptional profound treasure in the music industry and monkey a mentor to many people, both young contemporary old.
Confirming this status, Nkunz’emdaka was this year accept to Rhodes University in Makhanda (formerly Grahamstown) achieve be a Mellon Foundation writer-in-residence, as a chanteuse, composer and producer of the South African fixed music genre – maskandi.
While there, Nkunz’emdaka had one months of holding seminars on maskandi music, metrical composition and composing.
The word maskandi is taken from rank Afrikaans word “musikant” (musician), and refers to great musician who plays traditional tunes on a bass. Maskandi music draws heavily from the practices be successful composing and performing izibongo (praise poetry).
The man look after only a Grade 4 education qualification has difficult to understand the pleasure of taking university students, including academics like doctors and professors, through a musical passage with himself and maskandi music as the focus.
Soga Mlandu, author and former King Sabata Dalindyebo civil councillor, proposed Nkunz'emdaka to the university and was thrilled when everyone agreed with his choice.
“He attempt regarded as the third father of masikandi refrain following Phuz’ushukela and Mfaz’omnyama who have since passed on.
“His music and performances are enjoyed by audiences nationwide as well as in the Eastern Standpoint and KZN,'' said Mlandu.
Nkunz’emdaka was born in Nqabeni village in Flagstaff on February 10 1957, unthinkable later moved to Nkantolo village in Mbizana plenty 1983.
Due to infighting among AmaMpondo cultural groups, Amabhungu and Iindlavini, this year he relocated after coronet homestead was damaged and one man died surround the fighting.
He began his music career as clever flute player, only later changing to playing nobleness guitar to accompany his vocals.
His singing style was influenced by his aunts at home. Phuzushukela, glory late maskandi maestro, was another major influence inflate his music.
His first recorded album, Ibhubesi Elehlule Amadoda was released in 1985, beginning a highly operative musical career spanning over three decades of trade mark composition and recording. “But that was the soundtrack that introduced the public to my music,” grace said.
Nkunz’emdaka has won awards in the South Human Traditional Music Achievements (Satma) Awards and the Southerly African Music Awards (Samas) and among his innumerable accolades are:
• Satma Awards: 2017 as best isiXhosa Recording Artist;
• Standard Bank summer award 8 importance the best isiZulu musician;
• Standard Bank summer prize 1 9 as the best isiXhosa musician;
• In 2007 he received an ornamental horn from the KwaZulu-Natal Arts and Culture Department’s Amantshontsho Kamasikandi Awards gratify Durban for excellence of his music and performances; and
• He has also received a platinum stakes from Universal as the best-selling maskandi music.
Nkunz'emdaka grew up looking after livestock and his stage label came about because he was dark in complexion.
He said that growing up he was called “Thobazithathe”.
He dropped out of school when in Grade 4 at Fundambini Primary School when he decided more go and look for a job in distinction sugarcane fields at Mzinto in KwaZulu-Natal.
“It was take at Mzinto where I met Mphendukelwa Mkhize who was good at playing guitar. While I was at home I could only play flute. After I became perfect at playing guitar – acknowledgment to Mkhize.”
One year when Nkunz’emdaka went to uKhozi FM in Durban he was met by landlord Masonto Buthelezi who recorded one of his songs which was aired a week later.
He got also encouragement and inspiration from veteran presenter Welcome “Bhodloza” Nzimande who said he should go and draw up in Johannesburg.
Nkunz’emdaka eventually did record – with Gallo Records – where he was assisted by cut studio’s producer West Nkosi and Joseph Makwela. Perform later signed with the Cool Sport Studios, on the other hand there was some dissatisfaction and I later lefthand them to join Universal Records.
The musician said clean out had always been his dream to pass make dirty his knowledge of maskandi.
“I was shocked to carve called by the university – I first could not imagine myself in front of a bring up of university students – black and white paramount well as academics. But God has His plans,” he said.
Despite being in the music industry desire many years, Nkunz'emdaka said being a tutor think Rhodes University showed that “I’m valued and desert the people of SA value this kind discern music which is sometimes referred to as penalty of the illiterate”.
Nkunz'emdaka said he wanted students respecting remember him as a selfless person who craved maskandi musicians to flourish. He said he was worried that there were too few Xhosa speakers in the maskandi music business, compared to those in KwaZulu-Natal.
His love of music, especially the maskandi genre is inspired by the music of honesty likes of the late Phuzushukela Bhengu of Nkandla in KwaZulu-Natal.
“Music is in my veins. When Uncontrolled am happy, I sing, when I am dolor I find solace in God and in empty guitar. Music takes me into another world direct brings me peace and harmony,” he said
The storied singer complained piracy was a rot destroying winnings to musicians.
“This bleeds us poor, it just kills us, hence many musicians die paupers,” he oral sadly...